Stephanie Revennaugh Heralds “A New Era of Bronze” in Big Sky Journal

Altamira Fine Art is delighted to spotlight Stephanie Revennaugh, whose evocative equine bronzes are featured in Big Sky Journal’s August 2024 article, “A New Era of Bronze in the American West.” This engaging profile shines a light on her mastery of form, emotion, and technical rigor in bronze — and increasingly glass — sculpture

Revennaugh’s works begin modestly in clay, evolving through complex molds, wax segments, and precise welding. As she says, “there are so many opportunities for the form to get really wonky,” but her sculptures consistently emerge with vivid, impressionistic life. The technical journey is arduous, but the result is soulful and dynamic.

In contrast to earlier wildlife bronzes, Revennaugh hones in on the intimate, emotional aspects of her subjects. Big Sky Journal quotes Lindsey McCann Jastram, noting Stephanie’s ability to reveal “a connection with the piece unlike any other” through subtle gestures like a gentle head drop or a nuzzle.

Revennaugh’s journey begins with childhood memories of playing with Breyer horses and bareback riding. A pivotal studio class in clay allowed her to cement her path as a sculptor, stating, “I treat the clay like brushstrokes,” merging her painting background with her sculptural style.

Her recent explorations into mixed media — such as glass bison bodies anchored by steel legs — illustrate her willingness to experiment and redefine genre boundaries. These pieces reflect a thoughtful balance between organic form and abstract structure.

“ A New Era of Bronze ” captures Revennaugh’s significance in evolving Western sculpture. She has revived bronze’s storied legacy, infusing it with emotional depth and contemporary sensitivity — honoring tradition while forging her own artistic frontier.

Interested in viewing Stephanie’s bronzes?
Contact Altamira Fine Art to explore her current works or upcoming exhibitions.